![]() ![]() Gandel also funds Taglit-Birthright Israel, a program that provides free ten-day tours of Israel for young Jews who are “currently unaffiliated with the Jewish community and have never visited Israel.” Announcing his financial support, Gandel declared that “My family strongly believes in supporting a range of programs that can foster and enhance Jewish continuity and identity, and help develop the future leaders in our community.” The Zionist Federation of Australia (led by Leibler’s son Jeremy) thanked Gandel and extoled Birthright Israel as “a critically important Israel program” that serves to “engage many young Jewish adults with the powerful connection to Israel, Judaism and other young Jews they meet during and after the program.” Thus, while seeking to increase Jewish ethnocentrism and ethno-nationalism through his funding of Birthright Israel, Gandel simultaneously funds “ Click Against Hate,” a program specifically designed to reduce White ethnocentrism and promote the virtues of “diversity” and “multiculturalism” among Australian schoolchildren. John Gandel (center right) and ADC chairman Dvir Abramovich (far right) The program is offered free of charge to schools due to this funding. Gandel also finances the Anti-Defamation Commission’s propaganda program for schools “ Click Against Hate” - an “early intervention” program for schoolchildren from Years 5 to 10. Gandel has made large donations to Jewish organizations closely linked to Leibler, such as Australia Israel & Jewish Affairs Council (AIJAC) and the United Israel Appeal. ![]() Sydney has fewer Jewish billionaires than Melbourne, although businessman Sir Frank Lowy and apartment mogul Harry Triguboff ranked in the top 10 of the of the 2018 rich list, and Jewish wealth in Sydney is growing rapidly due to “the business success of South African Jewish migrants, most of whom settled in Sydney and Perth from the 1970s to the 1990s.” A long-time pillar of Melbourne’s Jewish establishment and client of Leibler is Jewish shopping center magnate John Gandel who is Australia’s seventh richest person with a fortune estimated at $6.45 billion in 2018. Most of ABL’s wealthy Jewish clientele reside in the wealthy inner suburbs of Melbourne. The lawyers of these New York law firms, which refer many cases to ABL, are said to “feel comfortable dealing with ABL, a firm with origins in the Jewish community that still retains a significant Jewish client base.” ABL has close connections with several major New York firms - especially those established and run by Jews like Wachtell, Lipton, Rosen & Katz and Skaddan Arps. These clients help make the firm one of Australia’s most profitable. ![]() The man topping the rich list, Anthony Pratt, with an estimated fortune of $12.9 billion, is one of them. In 2018, thirty-five of Australia’s wealthiest individuals and families were clients of ABL and 19 of these were Jewish. Of the 200 richest people and families in Australia, around one-in-five are clients of ABL. Leibler has been a partner at the law firm Arnold Bloch Leibler (ABL) for almost fifty years. Lawyer to Australia’s Ethno-Plutocratic Elite ![]() Mark Leibler with Australian Prime Minister Scott Morrison “How Citizens United altered America’s political landscape.” The Hill, January 21, 2020. “The Costs of Inflation Revisited.” George Washington University, 2003. “Majority of lawmakers in 116th Congress are millionaires.” OpenSecrets, Center for Responsive Politics, April 23, 2020. “Top Net Worth - 2018: Personal Finances.” OpenSecrets, Center for Responsive Politics.“Income inequality in America is the highest it's been since census started tracking it, data shows.” The Washington Post, September 26, 2019. “Plutonomy: Buying Luxury, Explaining Global Imbalances.” Citigroup, October 16, 2005. “Capital in the Twenty-First Century.” Harvard University Press, 2013, ISBN 9781491534649. “Of the 1%, by the 1%, for the 1%.” Vanity Fair, May 2011. ![]()
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![]() Here are the locations of the six mysterious map fragments in Fallout 76. This should allow players to find the map fragments more easily as they can get to the target area and then hunt down the piece from there. Finally, a world map has been placed at the start that highlights the areas of interest. Also, this latest update moves information about what to do with the map and the cave itself to the end. ![]() But then again, loot is loot and explosives are explosives. Now, pictures have been added, showing the exact location of each piece so that gamers can find everything they need all on one page. Instead of looking all over the mine for the keycode itself, here it is: 071990 At this point in the game, you probably don’t really need the supplies that are secreted away in the Gauley Mine. While some players appreciated this direction, other gamers wanted this guide to show them the exact locations of each map fragment. Updated on February 28th, 2023 by Hodey Johns: When this guide originally debuted, it contained a YouTube link to the location. Thus, fans must obtain the code for themselves, and that is done by collecting six mysterious map fragments from various locations and then placing them on a board that is found at the Grafton Pawn Shop. ![]() Unfortunately, there is no quick answer to the question of what the Mysterious Cave code in Fallout 76 is because it is randomized for each individual player. RELATED: Fallout 76 Removing Legacy Weapons Could Mean A Return Of PvP Content Indeed, if fans hope to enter this door they will first need to put Fallout 76's Mysterious Cave code into that keypad, and helping players do that is exactly the purpose of this guide. As players explore north of the Bailey Family Cabin on Fallout 76's map, they may come across the Mysterious Cave, and inside they will find a door and a keypad. ![]() ![]() There are many USB controllers that work with PCSX2. Furthermore, more games can be run simultaneously and simulations simulated, providing a richer gaming environment. Furthermore, this BIOS enhances game simulation stability while making fundamental changes that improve gameplay. It optimizes frame rates for smoother gameplay and gives more control options, improving the performance of your game engine. The PCSX2 BIOS offers many features designed to optimize your gaming experience. You should keep in mind that you need the ISO or BIN file of the games to run the games which you can find them here: PS2 Roms Features of the PCSX2 BIOS
![]() There is a compact disc of a recording made by the violinist Alfredo Campoli taken from acetates of a French radio broadcast these are thought to date from early in 1939. The date and personnel on the first recording of The Four Seasons are disputed. Sonnet text Sonnetīernardino Molinari, who made the first electrical recording of The Four Seasons in 1942. In addition to these sonnets, Vivaldi provided instructions such as "The barking dog" (in the second movement of "Spring"), "Languor caused by the heat" (in the first movement of "Summer"), and "the drunkards have fallen asleep" (in the second movement of "Autumn").Ī new translation of the sonnets into English by Armand D'Angour was published in 2019. Regardless of the sonnets' authorship, The Four Seasons can be classified as program music, instrumental music intended to evoke something extra-musical, and an art form which Vivaldi was determined to prove sophisticated enough to be taken seriously. Though it is not known who wrote the accompanying sonnets, the theory that Vivaldi wrote them is supported by the fact that each sonnet is broken into three sections, each neatly corresponding to a movement in the concerto. There is some debate as to whether the four concertos were written to accompany four sonnets or vice versa. Vivaldi divided each concerto into three movements (fast–slow–fast), and, likewise, each linked sonnet into three sections.Īll performed by the Wichita State University Chamber Players, an ensemble of the Wichita Symphony Orchestra The music is elsewhere similarly evocative of other natural sounds. For example, in the middle section of "Spring", when the goatherd sleeps, his barking dog can be heard in the viola section. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music-in other words, music with a narrative element. Unusually for the period, Vivaldi published the concerti with accompanying sonnets (possibly written by the composer himself) that elucidated what it was in the spirit of each season that his music was intended to evoke. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The Four Seasons is the best known of Vivaldi's works. They were published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione ( The Contest Between Harmony and Invention). These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. The Four Seasons ( Italian: Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. 8 (Amsterdam : Le Cène, 1725).Antonio Vivaldi (engraving by François Morellon de La Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. Source : Antonio Vivaldi, Il cimento dell'armonia e dell'inventione, Op. Measure 116 : the solo indication is editorial.Measures 113 and 120 : the tutti indication is editorial.Measure 54 : the C sharp in the violin part is editorial.Measure 52 : the E natural in the violin part is editorial.Measures 48-49 : the E natural in the violin part is editorial.Please note the following points about this Urtext edition : The Heavens thunder and roar and majesticallyĬut the head off the wheat and damage the grain.] Tronca il capo alle Spiche e a' grani alteri. The verses corresponding to the Presto of the Summer concerto are as follows : ![]() Įach concerto in the Four Seasons is associated to a sonnet probably written by Vivaldi himself. ![]() This concerto is part of Vivaldi's famous Four Seasons, a series of four concertos part of Il cimento dell'armonia e dell'inventione. This Presto is the third and last movement in the Concerto RV 315, Op. 2 L'Estate (III : Presto) - Urtext Four Seasons - Summer- Concerto in G minor - Third Movement ![]() ![]() This new version of our Defense Zone 2 HD Hack Tool will never make you run out of Coins anymore. īut there are few problems that most people encountered, outdated Defense Zone 2 HD Hack cheats are one of them. Our Generator Encrypt Data to ensure maximum protection and minimal risk.ĭid you prefer not to buy Coins just get them for free? Or you need an updated Defense Zone 2 HD Hack that worked on their current version? 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It is known that since episodes come with all sorts of ancillary files, being able to do a many-to-one rename job seems like the most basic task imaginable. If you have another method that works better, by all means show me the light. You should just be able to select the files, locate the episode that they correspond to, and rename them. You shouldn't have to do a bunch of "preprocessing" to get it to work. If automatic matching fails to work, how else do you rename a set of files associated with a single title or episode? To me, this seems like it would be the most basic case of operation whenever automatic matching fails, like when the files are named so poorly. For this to be considered "not a common use case" seems almost absurd. In fact, I hope that you continue to improve upon this utterly necessary tool by stepping back from your creation, taking a good look at it, and maybe get some other outside opinions form people that you trust about how it works, and then maybe you can see that it's features and behavior are needlessly convoluted for no actual gain in capabilities or capacity.įor instance, the fact that a user cannot simply select a set of files and put them into a list and then manually select a title and/or episode from one of the many online databases which can then be used to rename them all according to the format already specified. ![]() ![]() Please understand that I don't mean that to be hurtful, insulting, or even discouraging in the face of all of your hard work. ![]() Still, I am 100% confident that I am not alone in saying that this tool is not intuitive to use. Please understand that this has nothing to do with my personal preferences or tastes, nor does it take away the amount of appreciation that I have for all of your support throughout what has turned out to be a far more challenging process than I ever expected it to be. I am sorry to say this, but I am fairly certain that my need for repeated support for basic needs indicates that there is in fact a real usability problem with FileBot only because of the effort that I take trying to figure things out on my own or search through your documentation. I get the sense that when I point these things out to you that you think I am being dense or lazy for not "getting" your design. In fact, just saying that things require preprocessing outside of your tool might indicate that there is a shortcoming, yes? Why should such a thing require any sort of "pre-pocessing"? We're just renaming files here according to a predefined pattern. I just want the tool to behave predictably and not require a tremendous amount of work just to get it to do its one job - a job, when you get down to it, is nothing more than a fancy regex parser. Also, I don't think I am asking for anything that's an "edge case" or anything unreasonable because it is specific to my personal needs. While I know that I have been "needy", I really think I have been restrained and reasonable with my requests to you, provided you with as much detail as I possibly can, and spared you from the snarky comments that might reveal my frustration, especially considering this process of just learning how to use this $20 tool has taken about a month and I still am not there yet. I genuinely have been trying my best to learn how to do it in accordance to your design, as much as I can understand it. but someone might, right?)Īfter that last reply, I can see that I am touching on a nerve with you and I don't mean to make you annoyed with me insofar that you think that I want a "personal button" to do it "my way". Is there an easy way to manually specific the language so they are renamed appropriately? (This is not a big deal- honestly I probably don't need the Polish subtitles. there are subtitles in other languages and it is possible that your automatic matching won't work for them. This is easy to do, right? I am not figuring out what sort of fu this requires though. The files would effectively be moved and renamed according to my predefined format (which is ). I would love to load a set of files which represent all of the media and supporting files for a particular episode, and then select a single episode from the "Episodes" browser and then apply it to all of the files that I have sitting in "Rename". I can't seem to find a clear way to do that. What I need to to be able to do is pick a specific episode from a series which I want one or more files renamed to match. Hi! I need go through my media one at a time now because none of the episode matching that happens automatically seems to be working. ![]() ![]() 5000 which is a legal user-space port) is being blocked out causing the 4999 error. The API calls that PDF2ID uses is completely legal and supported by the various Operating Systems (Mac OS X/Windows).īeing more specific, a certain port (port no. The 4999 error occurs due to a custom firewall that is set. I’d also like to address the 4999 error issue mentioned above. I’d like to indicate that PDF2ID v2.0 is now shipping and a trial version has been posted on our website. If you get a chance to try this plug-in, please leave your comments about it below! That can also be very helpful in some cases. ![]() One of the most interesting things about this plug-in is that it imports some of Acrobat’s comments/annotations on to a new layer in the document. For example, someone could export a PDF from a MS Publisher document, open the PDF in InDesign, and then do some clean-up. However, even with its limitations, PDF2ID is far better than having to rebuild a document from scratch! And this may finally give people a way to “import” content from other formats. The result is a lot of unthreaded text frames. The PDF doesn’t really understand how text flows from place to place on your page in most PDF files, so the plug-in has to guess. For example, there’s no way a PDF file will “remember” your paragraph and character styles, so all the formatting is applied to text locally. Remember that a huge amount is lost whenever you create the PDF. The more complex the document, the longer it takes to convert, of course, but a 10-page document made of mostly text and a couple of images opened in about 15 seconds.Īs was pointed out in the earlier post, PDF2ID isn’t meant for round-tripping your documents. You literally just choose File > Open PDF File, set up the Options dialog box, and click OK. It’s quite astonishing to see a PDF opened in InDesign. ![]() You are in luck! Earlier this year, Sandee Cohen alerted us to a new plug-in that would convert PDF files to InDesign files… but it wasn’t ready to be released Last week, while I was in Tokyo, Recosoft finally shipped this very cool and useful tool, called PDF2ID. Is there a way I can get the content from the PDF back into an InDesign file? By accident, I saved over that file with other content. I had an InDesign file that I saved as a PDF. ![]() ![]() ![]() The spatial inflexibility of the Toolbar will wind up those using smaller displays. The upshot of all this is that Logic Pro X is immediately more intuitive than 9, much easier on the eye, and just… prettier and more 'designed'. We're surprised yet not at all surprised to see that nothing's been done in that department at all - it definitely needs to be, though. Sigh.Ĭonversely, Logic's venerable collection of pre-Apple synths and effects plugins look a bit weird and overwrought in the context of the slick new interface. However, despite Apple righteously waging war on skeumorphism in iOS 7, not only are all the faux 'vintage' instrument and pedal interfaces still onboard, but they've been joined by similarly 'realistic' fader caps and rotaries in the mixer. Effects are re-orderable without requiring a modifier key (frikkin' yay!), plugin slots now reveal bypass, edit and preset selector buttons when the mouse pointer is hovered over them, and gain reduction meters appear on tracks with Logic's own compressors and limiters inserted (also a new feature in Pro Tools 11, fact fans). ![]() The mixer has become a lot easier to use. The tabbed pane on the right still plays host to the previous Loops and media Browser pages, but now also includes the multi-tabbed List Editors page and Note Pads, which enables note taking for individual tracks (reflecting the channel strip Note areas) as well as the whole project. "Despite Apple righteously waging war on skeumorphism in iOS 7, not only are all the faux 'vintage' instrument and pedal interfaces still onboard, but they've been joined by similarly 'realistic' fader caps and rotaries in the mixer." The Library has been moved from the right-hand side of the interface to the left and tarted up with pictures for everything, while volume and pan controls can now be accessed directly in the Track List - thanks, GarageBand. The Transport is now at the top rather than the bottom, and the main menus are reworked to be more logical, moving lots of previously scattered functions into the new Record, Mix and Navigate menus, for example, and repositioning the Track menu in the main menu bar, rather than the Arrange page. There are too many tweaks and improvements to the UI to list, but chief among them is that the Piano Roll now hosts controls for quantise, swing and more, and the Score Editor has been completely redesigned to be more usable. And it looks all the better for it, the colour scheme classy and gorgeous in the low light of the studio. With its cool, dark background and embiggened icons, controls and legending, it's clearly doing everything it can to make those transitioning from GarageBand feel at home. ![]() It's the little things… The new lookĪs we all knew it would, Logic Pro X has indeed gone through a Final Cut Pro X style redesign, but unlike that pro video fiasco, this time Apple has done it right. On first launch, it cheerfully and quickly went through our entire (and enormous) collection of instruments and effects without so much as a hiccup, passing every single one. Our irritation at that, though, was countered by an unexpected improvement in the performance of the notoriously crash-happy AuValTool - Logic's validation system for plugins. ![]() |